When it’s time to replace those cheap “computer” speakers with serious 2-way professional studio monitors, you’re ready for the Eris® E5.
With woven composite low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, the compact Eris E5 represents an outstanding value in its class.
It includes RF shielding, current-output limiting, over-temperature protection, and subsonic protection, and unlike comparably priced studio monitors, it has controls for simulating different listening environments and flattening frequency response to enable accurate mixing.
|
Inputs |
|
|
1- Balanced XLR |
|
|
1- Balanced ?” TRS |
|
|
1- Unbalanced RCA |
|
Performance |
|
|
Frequency Response |
53 Hz - 22 kHz |
|
Crossover Frequency |
3 kHz |
|
LF Amplifier Power |
45W |
|
HF Amplifier Power |
35W |
|
Peak SPL (@ 1 meter) |
102 dB |
|
LF Driver |
5.25” |
|
HF Driver |
1” silk dome |
|
Input Impedance |
10 kΩ |
|
User Controls |
|
|
Volume Range |
A-type taper |
|
MF Control |
-6, 0, +6 dB |
|
HF Control |
-6, 0, +6 dB |
|
Low Cut |
Flat, 80 Hz, 100 Hz |
|
Acoustic Space |
Flat, -2 dB, -4 dB |
|
Protection |
|
|
RF interference |
|
|
Output-current limiting |
|
|
Over-temperature |
|
|
Turn-on/off transient |
|
|
Subsonic filter |
|
|
External mains fuse |
|
Power |
|
|
100-120V ~50/60 Hz or 220-240V ~50/60 Hz |
|
Cabinet |
|
|
Vinyl-laminated, medium-density fiberboard |
|
Physical |
|
|
Width |
7” (178 mm) |
|
Depth |
7.68” (195 mm) |
|
Height |
10.24” (260 mm) |
|
Weight |
10.2 lbs (4.63 kg) |
When it’s time to replace those cheap “computer” speakers with serious 2-way professional studio monitors, you’re ready for the Eris® E5.
With woven composite low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, the compact Eris E5 represents an outstanding value in its class.
It includes RF shielding, current-output limiting, over-temperature protection, and subsonic protection, and unlike comparably priced studio monitors, it has controls for simulating different listening environments and flattening frequency response to enable accurate mixing.
|
Inputs |
|
|
1- Balanced XLR |
|
|
1- Balanced ?” TRS |
|
|
1- Unbalanced RCA |
|
Performance |
|
|
Frequency Response |
53 Hz - 22 kHz |
|
Crossover Frequency |
3 kHz |
|
LF Amplifier Power |
45W |
|
HF Amplifier Power |
35W |
|
Peak SPL (@ 1 meter) |
102 dB |
|
LF Driver |
5.25” |
|
HF Driver |
1” silk dome |
|
Input Impedance |
10 kΩ |
|
User Controls |
|
|
Volume Range |
A-type taper |
|
MF Control |
-6, 0, +6 dB |
|
HF Control |
-6, 0, +6 dB |
|
Low Cut |
Flat, 80 Hz, 100 Hz |
|
Acoustic Space |
Flat, -2 dB, -4 dB |
|
Protection |
|
|
RF interference |
|
|
Output-current limiting |
|
|
Over-temperature |
|
|
Turn-on/off transient |
|
|
Subsonic filter |
|
|
External mains fuse |
|
Power |
|
|
100-120V ~50/60 Hz or 220-240V ~50/60 Hz |
|
Cabinet |
|
|
Vinyl-laminated, medium-density fiberboard |
|
Physical |
|
|
Width |
7” (178 mm) |
|
Depth |
7.68” (195 mm) |
|
Height |
10.24” (260 mm) |
|
Weight |
10.2 lbs (4.63 kg) |
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